Seamus Heaney (1939 – 2013)

Seamus Heaney

 

Postscript

 

And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open

 

From The Spirit Level, (Farrar, Straus and Giroux, 1996)

 

 

A Rabbit as King of the Ghosts

Charles Freger
Charles Fréger, Babugeri, Bansko, Bulgaria, 2010-2011

 

A Rabbit as King of the Ghosts

by Wallace Stevens

 

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.

To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten on the moon;

And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

Then there is nothing to think of. It comes of itself;
And east rushes west and west rushes down,
No matter. The grass is full

And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,

You become a self that fills the four corners of night.
The red cat hides away in the fur-light
And there you are humped high, humped up,

You are humped higher and higher, black as stone—
You sit with your head like a carving in space
And the little green cat is a bug in the grass.

How Do You Do?

Guido's Hand of Music

Guido d’Arezzo, The Harmonic Hand, Venice Petri Rabani 1554.

 

How Do You Do?

By Jeff Dolven

 

All hands are out on the street today,
straining against the leashes of forearms.
Little concerned with us, they leap
to greet each other, tangle and clasp,
a subtle suction, like a kiss,
then off again in a friendly game
to overlord and underdog
we only understand in part.

Sometime later, folded in prayer,
or contemplation, right says to left,
if anything should happen to me
you’ll know, won’t you, what to do?
and left says to right, you’ve always kept me
friendless and illiterate.
We really ought to get them to shake,
but it’s not clear that they fit that way.

______________________________

Jeff Dolven is Associate Professor of English and Director of the Interdiscplinary Program in the Humanities (IHUM) at Princeton University. He is also an Editor at Large at Cabinet magazine and The American Reader. His poems have appeared in The New Yorker, The Paris Review, The TLS, The Yale Review, and elsewhere. ‘How Do You Do?’ is taken from his new collection Speculative Music, published by Sarabande Books in July, 2013.