Amiri Baraka (1934 – 2014)

Amiri Baraka and Larry Neal

Amiri Baraka and Larry Neal, Newark, ca. 1967

 

 

The New World

 

The sun is folding, cars stall and rise
beyond the window. The workmen leave
the street to the bums and painters’ wives
pushing their babies home. Those who realize
how fitful and indecent consciousness is
stare solemnly out on the emptying street.
The mourners and soft singers. The liars,
and seekers after ridiculous righteousness. All
my doubles, and friends, whose mistakes cannot
be duplicated by machines, and this is all of our
arrogance. Being broke or broken, dribbling
at the eyes. Wasted lyricists, and men
who have seen their dreams come true, only seconds
after they knew those dreams to be horrible conceits
and plastic fantasies of gesture and extension,
shoulders, hair and tongues distributing misinformation
about the nature of understanding. No one is that simple
or priggish, to be alone out of spite and grown strong
in its practice, mystics in two-pants suits. Our style,
and discipline, controlling the method of knowledge.
Beatniks, like Bohemians, go calmly out of style. And boys
are dying in Mexico, who did not get the word.
The lateness of their fabrication: mark their holes
with filthy needles. The lust of the world. This will not
be news. The simple damning lust,
                                       float flat magic in low changing
                                       evenings. Shiver your hands
                                       in dance. Empty all of me for
                                       knowing, and will the danger
                                       of identification,

 

                           Let me sit and go blind in my dreaming
                           and be that dream in purpose and device.

 

                           A fantasy of defeat, a strong strong man
                           older, but no wiser than the defect of love.
________________
From Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1961-1995 (New York: Marsilio Publishers, 1995)
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